Feel The Glamour In Pink
I've been playing with my Canon APS camera again but the next batch of film, some Kodak Advantix 200, didn't fare as well as the Fuji Nexia. As you can only get long expired film these days its a dwindling supply and the quality is hit and miss, but the consensus seems to be that the Kodak is less stable and more prone to colour shifts as the emulsions break down and experience exposure to background radiation. I've played with a few expired 35mm films, including some exotic emulsions that require obsolete processing, like the communist era Orwo Color films which still managed to produce images 40 years after their expiry date. But this batch of Advantix was a jump in the dark. I knew absolutely nothing about the batch, its storage or anything helpful to guide me with exposure. There's a school of thought that says you should allow a stop for every decade but you will also find nerdy rants online telling you science says otherwise and that speed and storage matter more, and that if a film has been stored well, box speed is the way to go. The answer then seems to be bracket like mad.
In the event I needn't have bothered. This psychedelic batch of films came straight from Barbie World, and pink seemed to be the main theme with a healthy portion of powder blue thrown in for good measure.
Oh dear.
Thought actually, it was kind of cool, in a hot pink kind of way.
What worked best with these pics was when the subject was a little but abstract, and one of them, Stratford bus station reflected in the train station windows, was an instant result that mirrored (see what I did there?) a picture I took of Sydney's Circular Quay and then spent hours in Photoshop and Lightroom to achieve exactly the same effect ready for an exhibition hanging. And here was the same result by accident without any work or effort. Man, I could actually have a life at this rate.
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